Jesus Hernandez

" I am a bladesmith. For a long time I have been fascinated with the ability to create both useful and beautiful objects by hand. The craft of a blade represents an expression of that ability. From understanding how metal moves under the hammer to shaping a piece of raw wood into a handle, every aspect of this art is capable of bringing a sense of satisfaction to the maker and to the owner of such creations. " " I started making blades because of my interest in Japanese swords. I have practised and taught different forms of kenjutsu over the years. I regularly refine my skills at tameshigiri ‰\cutting tatami or bamboo targets‰\ and I am a modest collector of Japanese swords. I have been a student of nihonto for many years. " " Driven by a thirst for knowledge, I took the challenge of learning how the Japanese swords were made and what made them so special. Hence, I started a long road into bladesmithing. "

Ayasugi dagger

" This dagger is part of the first international exhibition of contemporary bladesmiths held at the Macau Museum of Art. " This is a special project made of 1050, 1095 and 15N20 steel. Folded to about 100 layers and then manipulated to generate a pattern that will imitate the AYASUGI hada of the GASSAN school of Japanese swordsmiths of which I have been particularly fond. Cable damascus guard and pommel and stabilized California buckeye burl handle. The blade is 9 1/2 inches and the overall length is 14 inches."

Tiger tanto

" This blade's steel was made in a tatara at the first hammer-in organized by Kerry and Matt Stagmer at their shop in Maryland. The following year a portion of the steel was consolidated, folded and turned into this tanto. The saya is made of curly maple and the spacers are snake wood. The habaki is copper. "