Featuring the work of:
Caz Bently
wood block prints
Daniel Bernyk
metal scuplture
Pat Burns-Wendland
hand spun weaving
Scott Caple
illustrations
Larry Cluchey
wood turning
Catherine Crowe
enamels
Dark Ages Re-creation Company
living history
Sandra Dunn
& Steve White
metalsmithing
Dianne Edwards
marquetry
Kelly Green
wood carving
Allison Hamilton
painting
Lydia Ilarion
fine metalwork
David Ivens
metalwork
Lloyd Johnson
forged metals
Mary Lazier
ceramics
Elsa Mann
ceramics
Darrell Markewitz
forged metals
Rosemary Molesworth
ceramics
Kelly Probyn-Smith
metalwork
Mark Puigmarti
forged metals
David Robertson
forged metals
Brenda Roy
fine metalwork
Rob Schweitzer
tablet weaving
Graeme Sheffield
forged metals
A.G. Smith
illustration
Steve Strang
painting & drawing
Ruth Swanson
ceramics
Kathryn Thomson
blown glass
Mark Tichenor
ceramics
Laura Travis
stone carving
Catherine VamVakas Lay
blown glass
Sara Washbush
fine metalwork
Brigitte Wolf
stained glass |
Ruth Swanson
SUNSPOTS Pottery Studio
182464 Conc. 12 Normanby - RR 3
Ayton ON
N0G 1C0
519-665-2201
info@sunspotspottery.com
www.sunspotspottery.com
Ruth has been making a living as a full-time potter for 37 years. She
studied art at the University of Iowa and apprenticed at Three Tribes
Stoneware in North Dakota and at Gordon Pottery, Elora/Salem, ON. Since
1974 she has operated SUNSPOTS Pottery with Bill Mason producing a wide
range of functional stoneware fired to cone 10 reduction in a large oil-fired
kiln.
“ I have always been what you could call “devoted to function,”
i.e. I want my pots to be used rather than decorative, contemplated. It
occurs to me that it would be the ultimate honour to have an urn that
I had made chosen by someone to contain the ashes of their loved-one.
This is the thought that brought me to Grave Goods. “
Funerary and Keepsake Urns (sets of two)
Green / White
Blue
Oatmeal
Large $150 / small $50
wheel-thrown stoneware clay high-fired to cone 10 in a reduction
atmosphere.
There are certain practical considerations for a funerary urn. Stoneware
clay is particularly well suited, as it is completely water-proof
and unaffected by the caustic quality of ash. The urns that I have
made were designed with a lid that sheds water, should they be interred,
and with handles and a knob to wire the lid in place so that it
is secure. For those who wish to retain a small amount of ashes
separately, there are “keepsake urns” which accompany
each.
The most ornate of my urns, the green and white, was inspired by
a Sung Dynasty funerary urn in the collection of the Albright-Knox
Gallery in Buffalo, NY. |
|